Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. Group rates are available. By the time we reach the endwellits not over. The pacing is so fast and the lines so similar, that it's difficult to get the right words out at the right time.". Oh oh oh absolutely. trying to stab himself with a wine bottle). Mary Catherine Garrison. Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. Frantic and on the run from the police, Tito is even more confused when other characters in the play show up to congratulate him on his "magnificent performance" as Othello. The cast included Philip Bosco (Saunders), Victor Garber (Max), Ron Holgate, Tovah Feldshuh (Maria), Caroline Lagerfelt (Diana), Jane Connell (Julia), J. Smith-Cameron (Maggie) and Jeff Brooks (Bellhop).[5][6]. A hotel suite in Cleveland, Ohio in 1934. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall Brooke Adams. I'd be happy to suggest a few monologues for men from my plays as well as some of my favorite monologues from Shakespeare.From my plays, there are three monologues that might be of interest:1. Gain full access to show guides, character breakdowns, auditions, monologues and more! Michael Kraklio, director. This article is about the play. The play was first presented in New York City on March 2, 1989 at the Royale Theater by Martin Starger and The Really Useful Theater Company with the following cast: MAX - Victor Garber; MAGGIE - J. Smith-Cameron; SAUNDERS - Philip Bosco; TITO - Ron Holgate; MARIA - Tovah Feldshuh; BELLHOP - Jeff Brooks; DIANA - Caroline Lagerfelt; JULIA - Jane Connell, Directed by Jerry Zaks; Set Design by Tony Walton; Costume Design by William Ivey Long; Lighting by Paul Gallo; Sound Design by Aural Fixation. A musical adaptation was presented in May 2006 as a staged reading as part of the Utah Shakespearean Festival's New American Playwright Project, in Cedar City, Utah, followed by rewrites and a production as part of USF's Summer 2007 repertory season, which received rave reviews. Both are from Act II, Scene 3: The first one is at the beginning of the act and begins, "I do much wonder that one man" and the second one is towards the end of Act II and begins, "This can be no trick"From Henry IV, Part 1, I'd suggest Falstaff's speech in Act II, Scene 4, that begins, "If sack and sugar be a fault, God help the wicked. The play takes place in 1934, in a hotel suite in Cleveland, Ohio. Also, Tito and Max both find themselves being romantically pursued by Maggie Saunders, and by Diana, the Cleveland Opera's sexy and ambitious soprano. One thundering orgasm of insane violence! Search all monologues from plays. For the rest of the play, Max and Titowho are identical in their Othello costumes and makeupare repeatedly mistaken for each other, as they alternately run in and out of the hotel suite. And bring your running shoes because once we start, we arent stopping., These eight characters are insane (every one of them!) As the play closes, Max and Maggie share a kiss. As the second act opens, Saunders and Max return to the hotel suite. Add a few lines about how he was wounded in the Battle of Cyprus, then carry him around the stage on a stretcher.Whats that? Vocal Part: Spoken. They'll start arriving any minute now. Research Playwrights, Librettists, Composers and Lyricists. At the end of the play, things are sorted out. Your blog is such a great reference to have and, of course, provides invaluable insight into someone I've admired for so long.As I was reading your past entries, I saw that someone inquired about your favorite monologues from your works, particularly "Leading Ladies". The Broadway League is the national trade association for the Broadway industry. [3][4], After sixteen previews, the Broadway production, directed by Jerry Zaks, opened on March 2, 1989 at the Royale Theatre, and closed on April 22, 1990 after 476 performances. Since each role is clearly defined and quite funny, it offers the opportunity for everyone to shine. "It requires more energy than anything else. Lend Me a Tenor characters breakdowns including full descriptions with standard casting requirements and expert analysis. The temperamental Tito is played so well by Mr. Cookson, who, with rich voice and gobs of stage presence, makes it difficult to believe that he is not a professional opera singer. After a huge fight with his fiery, Italian wife Maria, Tito receives a double dose of tranquilizers through a series of mishaps. Lend Me A Tenor will be directed by Wade Willis. Maggie realizes that not only was Max the "Tito" that she made love to, he was also the "Tito" who sang so passionately in tonight's opera performance. Maggie, who is her unsure of her feelings for the suave-less Max, whom she has dated for years, tries to get her hands on the hot-blooded Il Stupendo by hiding in his bedroom closet. Search. Host virtual events and webinars to increase engagement and generate leads. (Unbeknownst to either of them, Tito accidentally takes a double-dose of tranquilizers.) Seeking 2 Actor Team for Spring Of course! Seeking 2 Actor Team for Spring Anoka-Ramsey Community College, Maggie Saunders at Saunders has charged Max with seeing to Merelli's needs, and with getting Merelli to the opera house in time for the performance. Please prepare a 2 minute comic monologue. It was directed by Larry Carpenter. Power your marketing strategy with perfectly branded videos to drive better ROI. Ken Ludwigs Lend Me A Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985, with the following cast: MAX - Walter Bobbie; MAGGIE - Christine Rose; SAUNDERS - George Ede; TITO - Ronald Holgate; MARIA - Judith Roberts; BELLHOP - Joe Palmieri; DIANA - Linda Lee Johnson; JULIA - Bella Jarrett, Directed by Larry Carpenter; Set Design by John Falabella; Costume Design by David Murin; Lighting by John Gisondi. They are looking for "a lunatic dressed as Othello, who thinks he's Tito Merelli." The show, launching the Columbia Community Players (CCP) third all-comedy season, will be presented at 8 p.m. today and tomorrow, and Nov. 4 and 5 at Slayton House in Columbia. From Leading Ladies, I'd suggest Doc Meyer's monologue at the beginning of the Act I, Scene 2 (page 11-12 of the Samuel French edition);3. Take a look at our library of free monologues . Join StageAgent today and unlock amazing theatre resources and opportunities. Auditioners for the roles of Max, Tito and Bellhop will be asked to sing from music sides. Sign up today to unlock amazing theatre resources and opportunities. and Act I, Scene 2: "Oh that this too too solid flesh would melt"And from Macbeth, I'd look at Act II Scene 1: "Is this a dagger which I see before me? Saunders is furious. New York, NY, Linda Ray It starts spinning early in the show and just never stops. . [10], In 2022, Ludwig adapted a gender-swapped version of the play entitled Lend Me a Soprano which will run at the Alley Theatre in Houston, Texas from September 16 until October 9. "From Midsummer I'd look at Oberon's monologue from Act II, Scene 1, "My gentle Puck, come hither" or from Act IV, Scene 1, Nick Bottom's monologue that begins, "I have had a most rare vision"From As you Like It, Act II, Scene 1, there's the Duke's speech that begins, "Now, my co-mates and brothers in exile"And of course, everyone's favorite, "Our revels now are ended" from the Tempest, Act IV, Scene 1.If you're looking specifically for tragedy, you might look at Hamlet or Macbeth. The show opens in 1934 on an elegant Cleveland hotel suite as Henry Saunders, the manager of the local opera company, ascends into hysteria. When they grabbed him he actually hit a policeman. . Lend Me a Tenor has been translated into sixteen languages and produced in twenty-five countries. Max manages to calm Tito down, and takes the singer into the bedroom, where Tito lies down on the bed for a rest. . Max's performance as Othello was a huge success, and no one suspected that he was not Tito. Lend Me a Tenor by Ken LudwigRole: MaggieMaggie Saunders is found by Max, who is disguised as Tito Mirelli, in the Opera Star's hotel suite.I played this rol. Research Playwrights, Librettists, Composers and Lyricists. 2023 Vimeo.com, Inc. All rights reserved. "Cafe Theatre" will feature either three one-act plays or two one-act plays and a monologue. In the sitting room, Max gives Tito a tranquilizer-laced drink, trying to calm him down before the performance. Joyce Luy, as the flamboyant Maria, who makes every entrance and exit memorable with her body moves and stunning red gown, brings the house down whenever she opens her mouth. Saunders tells Max to quickly change out of his Othello costume and makeup, while he goes downstairs to handle the police. The star arrives late and, through a hilarious series of mishaps, is given a double dose of tranquilizers and passes out. From Lend Me A Tenor, I would recommend Saunders' monologue towards the end of Act I, just after he's discovered that Tito Merelli is unconscious and possibly dead. I can't open sardines and answer the phone. Thanks so much for writing and all the best for your future in acting!Regards,KenFrom Ken Ludwigs Lend Me A Tenor, Act I, Scene 2:SAUNDERS has just discovered that world-famous opera star, Tito Merell, whom patrons of Cleveland Grand Opera have paid large sums of money see perform the role of Otello that evening, is either unconscious or dead. "We look for comedies that are fast-moving and designed for good opportunities to laugh. "The comedy is the premise of the situation. Still wearing his Othello costume, Max leaves the hotel suite and runs to find Saunders. Maybe I should wait here. A few brief words, nothing elaborate. version of LEND ME A TENOR in London, the opera was switched to Pagliacci with Ken Ludwig's permission . Come join me, will you? 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